Saturday, February 26, 2011
cinyjosh: Rs. 1 Crore set for Pawan Kalyan's song!
cinyjosh: Rs. 1 Crore set for Pawan Kalyan's song!: "Powerstar Pawan Kalyan, Trisha starrer 'Teenmaar' film shooting is currently going on in Hyderabad. It is heard that film unit shooting a so..."
Friday, February 18, 2011
Rs. 1 Crore set for Pawan Kalyan's song!
Powerstar Pawan Kalyan, Trisha starrer 'Teenmaar' film shooting is currently going on in Hyderabad. It is heard that film unit shooting a song on Pawan Kalyan in set specially erected for this song. Film unit sources revealed that Rs. 1 Crore spent on this set for song it seems. The song will be in English version in full length and complete song shooting will be happening in that set. It is said that Producer Ganesh Babu planning to release Audio of the film in MArch 1st week and film in April.
TollyWood, updates
Erra Gulabeelu (Nadunisi Naigal) Review
Nadunisi Naaygal (Erra Gulabeelu) Review rating: 2.25/5
Banner: Photon Kathaas Productions
Cast: Veera, Sameera Reddy, Samantha
Cinematography: Manoj Paramahamsa
Editing: Anthony
Producer: Ashok Vallabhaneni
Story, Director: Gautham Menon
Nadunisi Naaygal Review – Erra Gulabeelu Review – Nadunisi Naigal Movie Review: Gautam Vasudev Menon who is undoubtedly the best craftsmen at his work has a special liking towards psycho thrillers. He often makes films in this genre and Nadunisi Naaygal is another thriller from GVM. It is dubbed into Telugu as Erra Gulabeelu and both the versions were released today. Here is the detailed review of Nadunisi Naigal…
Story:
Veera (Veera) is a psychopath who traps or kidnaps girls and kills them. He was sexually abused by his sex starving father as a child and he was later taken care of by Meenakshi (Meenakshi). However, Veera is often haunted by the images of his disturbed past and in this process he develops lust towards Meenakshi, who treats him like a son. When Meenakshi marries some other person, Veera turns violent and kills him. In this attack, Meenakshi gets burnt and left with an ugly face. Then Meenakshi and Veera go on a killing spree together. Veera has a soft corner towards his classmate Sukanya (Sameera Reddy). He gets caught by the police when he kidnaps Sukanya and starts revealing about his past to the cops.
Analysis:
This movie has a strong message about how sexual abuse at tender age could show nasty effects on young minds indulging them to take the violent path. When the director chooses such a concept few disturbing images and adult content is ought to be there in it. So, this movie is strictly an adult flick.
Gowtam Menon chose a spaced flashback narrative to make this thriller work. The first half is racy and arrests you. But the second half heads on a routine path where the thrill factor takes the backseat and the psychopaths multiple personality disorder is highlighted.
Background score plays a big role in thriller films. But Gowtam Menon boldly made this film without BGM. He also shrugged off the weird camera angles. This is purely a content based thriller and when there is no music to support it will definitely show impact on the viewer. The shock factor is completely missing and the film looks weak without it. The sound affects are aptly used and covered up the lack of BGM to some extent.
This type of roles and concepts are not alien to South cinema audience. We have watched better thrillers than this and hence it remains as a failed experiment.
Performances:
Veera’s performance as a psychopath is very good. He did a good job to show different body language at different ages. Sameera Reddy looks older to Veera. She did a fine job. Deva is Okay. Samantha has a blink and a miss role. Meenakshi gives a stunning performance especially with that weird makeup on her face.
Technicalities:
Manoj Paramahamsa camera work is splendid. As there is no BGM in the movie it is an extra burden on cinematographer to keep the audience interested solely with his camera work. Manoj comes out in flying colors in this test. Editing by Anthony is another asset. The film is slick and well paced especially in the first half. Editing technique has kept the interest levels alive. Production values are good.
Gautam Vasudev Menon’s work as a director is flawless. Had he concentrated on the script it would have been a well made film.
Plus Points:
- Cinematography
- Editing
- Veera performance
Minus points:
- Not so new concept
- Lack of thrilling moments
- Predictable climax
Final Word:
You can watch it if you are a fan of thriller movies. Not a bad one and not a good one either. We have to wait and see how multiplex audience laps it up.
Banner: Photon Kathaas Productions
Cast: Veera, Sameera Reddy, Samantha
Cinematography: Manoj Paramahamsa
Editing: Anthony
Producer: Ashok Vallabhaneni
Story, Director: Gautham Menon
Nadunisi Naaygal Review – Erra Gulabeelu Review – Nadunisi Naigal Movie Review: Gautam Vasudev Menon who is undoubtedly the best craftsmen at his work has a special liking towards psycho thrillers. He often makes films in this genre and Nadunisi Naaygal is another thriller from GVM. It is dubbed into Telugu as Erra Gulabeelu and both the versions were released today. Here is the detailed review of Nadunisi Naigal…
Story:
Veera (Veera) is a psychopath who traps or kidnaps girls and kills them. He was sexually abused by his sex starving father as a child and he was later taken care of by Meenakshi (Meenakshi). However, Veera is often haunted by the images of his disturbed past and in this process he develops lust towards Meenakshi, who treats him like a son. When Meenakshi marries some other person, Veera turns violent and kills him. In this attack, Meenakshi gets burnt and left with an ugly face. Then Meenakshi and Veera go on a killing spree together. Veera has a soft corner towards his classmate Sukanya (Sameera Reddy). He gets caught by the police when he kidnaps Sukanya and starts revealing about his past to the cops.
Analysis:
This movie has a strong message about how sexual abuse at tender age could show nasty effects on young minds indulging them to take the violent path. When the director chooses such a concept few disturbing images and adult content is ought to be there in it. So, this movie is strictly an adult flick.
Gowtam Menon chose a spaced flashback narrative to make this thriller work. The first half is racy and arrests you. But the second half heads on a routine path where the thrill factor takes the backseat and the psychopaths multiple personality disorder is highlighted.
Background score plays a big role in thriller films. But Gowtam Menon boldly made this film without BGM. He also shrugged off the weird camera angles. This is purely a content based thriller and when there is no music to support it will definitely show impact on the viewer. The shock factor is completely missing and the film looks weak without it. The sound affects are aptly used and covered up the lack of BGM to some extent.
This type of roles and concepts are not alien to South cinema audience. We have watched better thrillers than this and hence it remains as a failed experiment.
Performances:
Veera’s performance as a psychopath is very good. He did a good job to show different body language at different ages. Sameera Reddy looks older to Veera. She did a fine job. Deva is Okay. Samantha has a blink and a miss role. Meenakshi gives a stunning performance especially with that weird makeup on her face.
Technicalities:
Manoj Paramahamsa camera work is splendid. As there is no BGM in the movie it is an extra burden on cinematographer to keep the audience interested solely with his camera work. Manoj comes out in flying colors in this test. Editing by Anthony is another asset. The film is slick and well paced especially in the first half. Editing technique has kept the interest levels alive. Production values are good.
Gautam Vasudev Menon’s work as a director is flawless. Had he concentrated on the script it would have been a well made film.
Plus Points:
- Cinematography
- Editing
- Veera performance
Minus points:
- Not so new concept
- Lack of thrilling moments
- Predictable climax
Final Word:
You can watch it if you are a fan of thriller movies. Not a bad one and not a good one either. We have to wait and see how multiplex audience laps it up.
ksd appalraju movie review
Radhika Rajamani reviews the Telugu film, Katha Screenplay Darshakatvam Appalraju (KSD Appalraju).
Ram Gopal Varma's Telugu film Katha Screenplay Darshakatvam Appalraju (KSD Appalraju) comes after a gap of many years. However, this much touted and publicised film of his doesn't live up to the hype.
The film, which deals with the travails and anguish of a filmmaker (here Appalraju) -- a worthy subject -- starts off well but peters out towards the end.
Appalraju (Sunil) from Amalapuram dreams of becoming a filmmaker. He goes to Hyderabad to fulfill his dreams. Once there, he runs into producer Raakhi (Raghu Babu) and creative director Pushpanand (Harshvardhan) and narrates a script of Nayaki. They suggest changes along the way as
Ram Gopal Varma's Telugu film Katha Screenplay Darshakatvam Appalraju (KSD Appalraju) comes after a gap of many years. However, this much touted and publicised film of his doesn't live up to the hype.
The film, which deals with the travails and anguish of a filmmaker (here Appalraju) -- a worthy subject -- starts off well but peters out towards the end.
Appalraju (Sunil) from Amalapuram dreams of becoming a filmmaker. He goes to Hyderabad to fulfill his dreams. Once there, he runs into producer Raakhi (Raghu Babu) and creative director Pushpanand (Harshvardhan) and narrates a script of Nayaki. They suggest changes along the way as
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